Sunday, January 6, 2013

Abandonment Issues: Beaver Creek Free Methodist Church

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Upon completing construction of the Victoria Methodist Church on a desolate back road between Havelock and Cordova Mines in 1893, the Methodists continued to push east and grow their flock with yet another new congregation.

To fully appreciate this post, check out the Victoria Methodist Church post before continuing.

In 1895, east of the on again, off again gold mining community of Cordova Mines, the crew had constructed the Beaver Creek Free Methodist Church, and it opened its doors to the local farming community. Again, as was customary with the locations chosen by the Methodists constructing in Ontario throughout the mid to late 1800s, the church stood alone, apart from other structures, on a desolate back road, at a distance to the nearby communities.

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The similarities did not end with the locations themselves, that was just the beginning. The churches were constructed with a very similar blueprint and identical building materials, much like the manner that Tim Hortons is spreading across Ontario these days. Although Tim Hortons has about a dozen different models that they construct given the space and market requirements of a given location, the strategy is a modern day mirror of that used by the Methodists well over a century ago. Tim Hortons however, operates at a much more feverish pace, and constructs their structures deep in the heart of communities, as opposed to a desolate back road on the outskirts. Also, the driving force of Tim Hortons expansion is the almighty dollar, as opposed to the almighty Lord. This analogy doesn't stop at Tim Hortons of course: Timmies could be replaced in this analogy with much of the current day construction of fast food chains and big box stores and cookie cutter residential neighbourhoods sandwiched between these cookie cutter fast food chains and big box stores.

But I digress, back to the church and the similarities: the hand painted sign above the doors bearing the churches name, the same white painted horizontal exterior boards, three tall arching windows along both sides of the church, the wood stove standing just inside the door, the same faded mint green interior paint job, and the same gorgeous cedar pews, although here void of the cast iron arms and legs.

It was all very déjà vu.

The similarities didn't end there either, the property itself also followed the blueprint: the same twelve paces from the roadside to the entrance, the same size plot of land with headstones and grave markers stretching westward from the rear of the church.

It was all very déjà vu.

Beyond the construction, the similarities continued, as was to to be expected, as both churches are in remarkable condition and still contain many of their original contents: the hymn books and holy bibles, the felt bottomed collection plates, the organs, the Jesus memorabilia and the framed depictions of the last supper, and so on, even down to a light peppering of mouse poop on the floor.

It was all very déjà vu.

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As I have said before, I am by no means a religious man. But there is a feeling that overcomes me whilst exploring churches that is unique and powerful, and cannot be explained.

If you feel so inclined to continue exploring churches alongside me, venture into these two churches on opposite ends of the abandonment spectrum. First, the beautiful Knox United Church in Peterborough is not abandoned, but recently closed its doors to the dwindling congregation and is in search of a buyer, whilst still actively renting space to community groups. For Knox, the future is unknown, hence my desire to document it as it was upon its closure. Secondly, the Gelert Anglican Church in the ghost town of Gelert offers a polar opposite experience, buried in the forest roadside in an advanced state of decay.

Thanks again for stopping by stranger, see you at the next spot.

click here to check out all of jerm & ninja IX's ABANDONMENT ISSUES

Friday, December 21, 2012

Abandonment Issues: Johnny Cochrane's House

Take with food or milk

"If it doesn't fit, you must acquit."

If the lawn is overgrown, and the NO TRESPASSING signs are fading atop a crumbling wooden fence, you must approach cautiously for a closer look.

If the windows are broken or covered in wooden slats, and the paint is peeling, you must reach for the door handle.

If you find yourself photographing fake flower crosses, creepy cob-web covered doll heads, and old pill bottles, you must have found the former home of John Cochrane, along a winding back road in Marmora, Ontario.

Johnny Cochrane's House

From outside, you probably notice the contrast of what appears to be a rather new tin roof atop this crumbling old shack. Inside, the stripped bare walls likely give you the impression that this home was abandoned in the middle of a renovation. The bags of Stone Mix piled atop the coffee table affirm this hunch, surely.

Immediately after, Mr. Cochrane reveals himself. He shares his story with you, through the things and stuff that he could not take with him, proving the old proverb true. Your fingers rifle through his record collection, touching what he once heard. You're fiancee bends down and picks up a fake flower cross, a memorial to John, or one of his loved ones, presumably, and she hands it you. In turn, you reach up and hang it from a nail high on the wall above the table at which he once ate. You step back to photograph it, and step on a depleted and dirty old Toronto Blue Jays bean bag chair upon which he once sat, kicking up a mushroom cloud of dust.

Every few minutes, as you traverse piles of dirty old clothing, and magazines and newspapers dated between the 1960s and the 1980s, you encounter another cob-web covered doll or doll head. You and your fiancee discuss why this is such a creepy recurring discovery; the primary and solitary function of these dolls was to bring joy to little girls, but alas, here they sit, used up and forgotten. Dusty, dirty and dismembered. Naked. Cob webs now cling to fake eyelashes and the hair that a little girl once brushed with love and care.

Beheaded

1984, you concur. That is when this home was abandoned, judging by the dates on the calendars and newspapers that you both are excavating from the mountains and dremlins of stuff that make up the floor of this archaeological site.

You pick up bible after bible from the coffee table and flip through the pages that he once read. You are touching what he once saw, what he once may have believed with a sincerity that you can't begin to understand. As the pages flutter through your fingers, the clicking camera in her hands breaks the moment of silence.

There is something about holding a dead man's signature in your hand, that is hard to put into words. How it feels, I mean, not the texture of the bank receipt itself, which is course with dust and cob webs, but the feeling inside of one's self. He may have called it a soul, I don't know. Something spiritual, I guess. A connection, or a lack of connection, I'm not sure. But you feel it. Reviewing his old bills from Ontario Hydro, and passing his pill bottles back and forth, discussing the common uses of each medication that he had been prescribed by his local doctor, and filled by his local pharmacy. It all reveals more of the story. The plot thickens, but never comes to a boil.

The character development continues, much like it would unfold in a great novel, at times painting vivid pictures, other times, leaving massive voids of both information and chronology, and leaving plenty to the imagination. The difference between exploring abandoned houses such as this one, and reading a great novel, is that the ending of the story is open to interpretation.

Home is where the hurt is
Home is where the hurt is

Stone Mix
STONE MIX

The vase of our lives
The vase of our lives

Fake plastic flowers
Fake plastic flowers

In memory
In memory

Mister Cochrane's kitchen
Mister Cochrane's kitchen

Tuned out
Tuned out

People under the stairs
People under the stairs

Innocence lost
Innocence lost

Teddy stare
Teddy stare

The Barber of Seville
The Barber of Seville

The Story of Hans Brinker and the Silver Skates
The Story of Hans Brinker and the Silver Skates

You now have a credit of 90.73
You now have a credit of 
90.73

Please sign in presence of teller
Please sign in presence of teller

Tuesday, December 11, 1984
Tuesday, December 11, 1984

December 29, 1984
December 29, 1984

Brush it off
Brush it off

Presto
Presto

Indocid
Indocid

Statuesque
Statuesque

The words of God
The word of God

No Room in the Inn
No Room in the Inn.

The hands of Godlessness
The hands of Godlessness

You depart from the home, closing the book on John Cochrane, unaware of how his story ended. You continue down the road ahead, starting a new chapter of your own.

click here to check out all of jerm & ninja IX's ABANDONMENT ISSUES